While working on the great American novel, I have been reading many how-to books on writing fiction, but none helped me with the heart of the story - realistic dialogue. Until, that is, I came upon Mr. Stanbrough's primer at a writer's conference. I laughed. I cried. Then my writing transformed with this simple realization: you can lose your reader in narration (horrors), but even weak dialogue will invite her deeper into the story line, becoming an eavesdropper intent on turning the page to find out what tidbit will said next. (Whew, saved!) With dry wit and a gentle but insistent manner, the author takes you by the hand through such topics as 'Conveying Emotion,' 'Influencing the Mood of the Reader,' 'Writing Naked,'(Yeah, now that's a topic!) 'The subtleties of Implication,' 'Mechanics of Punctuation,' 'Action Verbs and Mental Movies'. . . and the list goes on. And the cool thing is, he makes sure you get it! This primer is filled with examples and exercises that WILL improve your dialogue writing skills. Weak dialogue? Not anymore. Using these techniques, I just had my first article published in a national publication. Buy it! It'll be the best 12 bucks you spend on your craft.
Monday, November 28, 2005
book: Writing Realistic Dialogue and Flash Fiction, by Harvey Stanbrough
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